Hercules Performed

Hercules Performed

Is the final of four volumes associated with the Hercules Project and arises from the 2013 and 2017 conferences, with some additional commissioned chapters. These volumes will appear in the Brill series Metaforms: Studies in the Reception of Classical Antiquity, subject to the usual conditions of peer review. This volume follows on chronologically from the Christian Herakles volume, covering some of the same time-period as the Exemplary Hercules volume but taking the performance theme right up to the present day. It focuses on live theatre and embodiment, as distinct from the films discussed in the Modern Hercules volume, and musical drama. Provisional publication date 2020.

Editors: Helen Slaney (Oxford), Eleftheria Ioannidou (Groningen) and Emma Stafford (Leeds)

Overview of contents (provisional) with links to abstracts

Emma Stafford, Hercules Series preface

Helen Slaney and Eleftheria Ioannidou, Introduction

1. Labours

Henry Stead, Hercules and the Victorian Strongman

Deborah Chatr Aryamontri, Hercules and the Tragicomic in the Epic Theatre of Dürrenmatt

Sofia Frade, “Breaking news: Hercules is the son of Zeus”: the chorus in Helen Eastman’s Hercules

Owen Hodkinson, “The moral madness of the modern Herakles”: collage and fragments of Herakles in Tony Harrison’s The Labourers of Herakles and the Harrison Archive

2. Madness

Neil Bernstein, The Madness of Hercules from Euripides to the Renaissance

Sue Hamstead, Hercules, Medea and the Reality of Filicide

Sam Gartland, Herakles in Space: spatial forms in modern versions of Euripides’ Herakles 

3. Death and apotheosis

Lucia Degiovanni, Hercules’ Death and Apotheosis in C18th-19th-Century Italian Theatre

Eleftheria Ioannidou, The Disciplined Vitality of the Dancing Bodies: Sophocles’ Trachiniae at the ancient theatre of Syracuse in 1933

George Rodosthenous, Directing The Wife of Herakles (2010) for a Contemporary Audience: footballers, hairdressers and sourcing the poison

Eleanor OKell, Herakles, Sex, Death, and Spin: Sophocles’ Trachiniae and its adaptations

4. ‘I shall sing of Herakles…’

Jon Solomon, Hercules at the Court of Louis XIV

Robyn Rocklein, Shattered Female Virtue: Dejanira in Handel’s Hercules

Emma Stafford and Tim Benjamin, ‘I shall sing of Herakles’: writing a Hercules oratorio for the twenty-first century

Adriana Nogueira, Hercules in Twenty-first-century  Music

Provisional content for Hercules Performed