Programme & Abstracts

The programme, together with any updates, will appear here and be available to download, as will the abstracts (in alphabetical-by-surname and by-panel versions). Downloads will be dated and replaced as changes are made. The final programme and abstracts will be included in the electronic delegate information sent to delegates the week before the conference. Print versions of the final programme and abstracts by panel will be provided to delegates at the conference. Abstracts will be available to download from here from May.

The programme (Draft programme 30_03_17 96kB) is currently as follows:

School of Music, front entrance.

School of Music, front entrance.

Celebrating Hercules in the Modern World
Leeds University, School of Music, 7-9th July 2017

Friday 7th July: Registration from 12:00, lunch 12:30-13:30, conference opens 13:30 and closes 17:00, to be followed by the conference dinner.

Saturday 8th July: conference opens 09:00 and closes 17:00, to be followed by dinner and the presentation of Herakles at 19:30.

Sunday 9th July: conference opens 09:00 and closes 13:00.

Friday 7th July

12:00-13.30 Registration: Clothworkers Foyer
12:30-13:30 Lunch: Clothworkers Foyer
13:30-13.45 Opening (Music LR1)

Emma Stafford + Matthew Treherne, Head of School of Languages, Cultures and Societies

13:45-15:15 Session 1: Inside and Outside the Church (Music LR1)

Eva Anagnostou-Laoutides (Monash University): Byzantine Herakles

Katrien Levrie (Research Foundation Flanders / University of Leuven): The Herakles Myth in Byzantine Literature

Ivana Čapeta Rakić (University of Split): The Constellation of Hercules and his struggle with the Nemean lion on two romanesque reliefs from Split Cathedral

15.15-15:45 Tea/coffee and biscuits: Clothworkers Foyer
15.45-17:45 Session 2: Political discourse (Music LR1)

Emily Mayne (St. Hilda’s, Oxford): Reforming the hero, Reforming the king: Henry VIII, “our Englyshe Hercules”

Alexandra Eppinger (University of Mainz): Hercules the Younger? Heroic allusions in late eighteenth century British political cartoons

Maria Xanthou (University of Leeds): Οἱ Ἡρακλεῖς τοῦ στέμματος (“The defenders of the crown”): the reception of Hercules in modern Greek political discourse and history

Tamar Cheishvili (Tblisi State University): Putin as Hercules

19:00-22:00 Conference Dinner, Great Woodhouse Room University House
22:00-23:00 Bar: Leeds Students Union

Saturday 8th July

08:00-09.00 Breakfast (for residents): Refectory North
09.00-11.00 Session 3: Hercules Performed (Music LR1)

Lucia Degiovanni (University of Bergamo): Hercules’ Death and Apotheosis in C18th-19th Century Italian Literature

Deborah Chatr Aryamontri (Montclair State University): Hercules and the tragicomic in the epic theatre of Dürrenmatt

Owen Hodkinson (University of Leeds): Strategies of translation and transformation in Tony Harrison’s Labourers of Herakles

Sam Gartland (Christ Church and Corpus Christi, Oxford): Herakles in Space – spatial forms in modern versions of Euripides’ Herakles

11.00-11.30 Tea/coffee and biscuits: Clothworkers Foyer
11.30-13.00 Session 4a: Hercules Drawn (Music LR1)

Katherine Lu Hsu (CUNY), “Heroism” is a Madness: Transgressing Boundaries in Steve Moore’s Hercules: The Thracian Wars

T. H. M. Gellar-Goad (Wake Forest University): Sex and gender, race and Orientalism in Steve Moore’s Hercules comics

Ayelet Peer (Tel Aviv): The labours of Hercules-Sama

Session 4b: Iberian Hercules (Music ##)

Adriana Nogueira (University of Algarve / CECH – University of Coimbra): When the Saints are Greek Heroes: Heracles and Saint Anthony of Lisbon

Pamina Fernández Camacho (University of Almería): What Identity for Hercules Gaditanus? The Role of the Gaditanian Hercules in the Invention of National History in Late Medieval and Early Modern Spain

Maria Seijo-Richart (University of Leeds): A Coruña, cidade herculina: Hercules as founder of cities

13.00-14.00 Lunch: Clothworkers Foyer
14:00-15:30 Session 5: Art and the Viewer (Music LR1)

Anne-Sophie Laruelle (University of Liège)ː Hercules in the art of Renaissance Flemish tapestry

Macsotay: From Winckelmann to Emeric-David

15.30-16.00 Tea/coffee and biscuits: Clothworkers Foyer
16.00-17.30 Session 6: Literature and Popular Thought (Music LR1)

Will Desmond (University of Maynooth)ː Hercules among the Germans

Frances Foster (University of Cambridge)ː Demigod, god or monster? Rick Riordan’s Hercules

Eleanor OKell (University of Leeds)ː Hercules in 21st Century Historical Fiction

18.00-19.00 Dinner: Great Woodhouse Room, University House
19.30 Oratorio event: Clothworkers Concert Hall
21:30-23:00 Bar: Clothworkers Foyer

Sunday 9th July

08.00-09.00 Breakfast (for residents): Refectory North
09:00-10:45 Session 7: Hercules on and off the big screen (Music LR1)

Michael Williams (University of Southampton)ː ‘The Muscles of Hercules Beneath the Skin of Antinous’: Mapping Herculean Stardom in Film Fan-Magazine Discourse

Elena d’Amelio (University of the Republic of San Marino)ː The myth of Hercules in 1950s and 1960s peplum films

Jon Solomon (University of Illinois at Urbana Champaign)ː The Convergence of Family Values, Computer-Generated Monsters, and Cleavage in Hercules: The Legendary Journeys

10.44-11.15 Tea/coffee and biscuits: Clothworkers Foyer
11.15-12.45 Session 8: Hercules on a variety of screens (Music LR1)

Sam Summers (University of Sunderland) A Real American Hero: The Superhero-ification of Disney’s Hercules

Jean Alvares and Patricia Salzman-Mitchell (Montclair State University)ː Hercules’ self-fashioning on screenː Millennial concerns and political dimensions

(virtual Joel Gordon (University of Otago)ː “I am Hercules!”: Rebooting, rationalization and heroism in 2014)

Alix Beaumont (ʏork)ː Through a Glass Partly: Reflections of Hercules in Cinema, Television and Video Games

12.45-13.00 Conference close (Music LR1)

Alastair Blanshard / Emma Stafford